Imagination Graphics
Computer Animation Offers Careers In Film
by Reginald Franklin
Animation has come a long way from
Walt Disney's Steamboat Willie cartoon in the 1920's. With films such as
Toy Story, Jurassic Park, and Terminator 2: Judgment Day, and television
shows like Babylon 5, classic animation has been jumped to warp
speed by one indispensable tool the computer.

The computer has emerged as the one
tool that can speed both the creative process of animating characters,
as well as the time it takes to get a film or television project to the
screen. California companies such as Industrial Light and Magic and Dream
Works SKG, the film studio owned in part by director Steven Spielberg,
have invested millions of dollars in computer hardware and software to
be able to turn out amazing animated special effects in the film industry.
They are also investing in another scarce commodity the computer animator.
A computer is just a tool. Without
a skilled artist at the mouse or drawing pad, nothing can be created. The
training and skill needed to be a successful computer animator can be found
in special programs at a growing list of colleges and universities, including
the art program at Jackson State University in Jackson, Mississippi. Jackson
State's program offers students an opportunity to study the fundamentals
of computer animation. It also provides students with practical, hands-on
experience with several different computer platforms. Jackson State's computer
facilities range from Amiga-based graphics computers to a $2 million Silicon
Graphics main frame and computer modeling laboratory the state-of-the-art
in computer graphics and animation hardware! A special team works on several
outside computer graphics and computational modeling projects. The Army
High Performance Computing and Research Center, or AHPCRC, specializes
in computer visualization and molecular modeling.
Dr. Richard Sullivan, director of
the computational modeling laboratory and chairman of the JSU chemistry
department, says the program offers invaluable opportunities.
It gives [students] experience in
an area not normally available to them, Sullivan says. They have the
opportunity to work with the visualization tools used by top people in
the industry, the people who make the movies people like Industrial Light
and Magic. The good thing is that kids get their hands on equipment and
software not usually available to undergraduates.
Edgar Powell, the visualization assistant
who oversees the SGI lab, says students are exposed to high performance
computer platforms and have the chance to broaden their horizons by learning
to design everything from complex computer models to Web pages.
We give the student access to the
technology and the training to make contributions in all areas, Powell
says.
The computational modeling lab is
one that the Army has set up to do high performance computer visualization,
and the lab is constantly working on projects for the government.
Jackson State's program is also unique
because it is one of the few advanced programs at a historically Black
college or university. Minority representation in the field of computer
graphics and animation is severely low. At the 1996 Siggraph Convention,
an annual event held by and for the Computer Graphics and Animation industry,
African-American professionals and students were noticeably underrepresented.
Hispanic representation was also lacking, while the presence of Asians
and Asian-Americans was substantial. One cause of this could be the tremendous
cost of computer animation software and hardware.
The Silicon Graphics modeling lab
at Jackson State came in at over $2 million for the hardware alone. Power
Animator by Alias/Wavefront, the animation software program used to create
the animated graphics, cost between $40,000 and $60,000.
However, prices of computer hardware
and software continue to fall, and programs like the one at Jackson State
are beginning to put highly qualified computer artists and animators in
the job pool. There should be a substantial increase not only in the representation
of African-American animators, but also in the number of minority-owned
computer animation companies.
With new technology, the price/performance
curve is lowering in favor of small companies that can accommodate a hardware/software
budget of $5,000-$10,000. This is particularly good news for African Americans
interested in starting a new computer animation company. It means they
can not only afford the technology, but also the talented computer animator
without whose creative input, there would be no output.
Computer animation is a healthy marriage
between art and science. Career paths into computer graphics and animation
can stem from study in the fields of Art, Computer Science, Mass Com-munications,
Engineering or even Chemistry and Mathematics. One of the largest and fastest
growing areas within the computer graphics and animation field is in the
area of computer games. Graphics for computer games are getting more complex
as the technology in the hardware simplifies. Graphics programmers can
earn $100,000 or more on a project-by-project basis with a successful game
title. The new era of graphics hardware advances, such as NWX technology
and the new Pentium II processor, is sure to bring about more lucrative
job opportunities for graphic artists.
Industrial Light and Magic has internships
available throughout the year. The company generally takes 10 to 20 students
per semester. The fall and spring semester internships are unpaid, while
the summer interns are paid minimum wage. Students who apply for the internships
must have a 3.5 average in their major. Application information can be
found at the Lucas Digital Web site www.ldlhr. com., or students can call
the main line at (4l5) 258-2100 or the job hotline at (4l5)258-2100.
The Walt Disney Company also has
internships available. Interested students can call the Walt Disney Animation
Florida Internship Program at (407) 828-3110 or surf the Web site at www.unc.edu.
There are also many other opportunities with the Walt Disney Company. Visit
their Web site at www.disney.com. Industrial Light & Magic's site is
at www.tolcport.com.
At Jackson State University, Dr.
Richard Sullivan and Edgar Powell can be reached at (601) 968-217 1. The
Web site for the Computational Modeling Lab is http://tiger.jsums.edu/html/CML.shtml.
Reginald Franklin is an assistant
professor in the mass communications department at Jackson State University.
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