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Ten Canoes
Australian Fairy Tale Based on Aborigine Parable
Film Review by Kam Williams
Once
upon a time, about a thousand years ago, and well before the arrival of
the white man Down Under, ten aborigines made their way into the forest
to find just the right tree bark to build themselves some canoes. En
route, it came to the attention of Minygululu (Peter Minygululu ), the
elder leading the expedition, that his younger sibling, Dayindi (Jamie
Gilpilil), had a crush on the prettiest of his three wives.
Even in this polygamous society, there's a cultural
commandment that thou shalt not covet thy brother's wife. So, Minygululu
decides to handle the situation a little like Scheherazade of 1001
Arabian Nights. You may remember Scher, the loquacious concubine in the
harem of the Persian King, who avoided a beheading by beguiling her
highness nightly with a neverending tale of romance which was a
precursor to the modern-day soap opera.
Here, Minygululu has opted to deal with his
predicament by spinning an intriguing yarn which will extend for the
duration of their expedition, not merely for the boat making, but also
as they paddle through the swamps in search of magpie goose eggs. His
goal is to get his bachelor brother's mind off adultery by relating a
cautionary tale which ought to teach the post-pubescent lad to be more
respectful of the tribe's ancestral ways.This is the basic idea behind
Ten Canoes, the first, Australian full-length feature shot in an
indigenous tongue.
The characters' dialogue has been augmented with the
voice an English-speaking narrator, which has the effect of imbuing the
production, periodically, with the feel of an issue of National
Geographic come to life, given the absence of modesty among the cast of
carefree natives who cavort naked in every scene.
Provided you're not Puritanical about frontal nudity,
this powerful picture based on a myth is otherwise a delight, and a
cinematic preservation of a so-called primitive people's oral tradition.
Excellent **** (4 stars)
Unrated
In Yolgnu Matha and English with subtitles.
Running time: 90 minutes
Studio: Palm Pictures
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Lloyd
Kam Williams is a syndicated film and book critic who
writes for 100+ publications around the U.S. and Canada. He is a member of
the African-American Film Critics Association, the New York Film Critics
Online, the NAACP Image Awards Nominating Committee, and Rotten Tomatoes. In
addition to a BA in Black Studies from Cornell, he has an MA in English from
Brown, an MBA from The Wharton School, and a JD from Boston University. Kam
lives in Princeton, NJ with his wife and son.
IMDiversity and THE BLACK COLLEGIAN are committed to presenting diverse points of view.
However, the viewpoint expressed in this article is the opinion of
the author and is not necessarily the viewpoint of the owners or
employees at IMDiversity, Inc. |
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