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African-American History

 


Historical Background of the Black Arts Movement (BAM) - Part III
by Kalamu ya Salaam 

WORKS CITED

Ahmed, A. Muhammad. "Black Cultural Revolution" in Kitabu Cha Jua (Formerly The Journal Of Black Poetry) (Volume 1, Number 19, Summer 1975). Dingane (Joe Goncalves), editor. San Francisco: Kitabu Cha Jua, 1975

Baker, Houston A., Jr. Afro-American Poetics, Revisions of Harlem and the Black Aesthetic. Madison: University of Wisconsin, 1988

Baraka, Amiri. (see also LeRoi Jones) The Autobiography. New York: Freundlich Books, 1984 "The Black Arts Movement" speech presented at National Black Arts Festival, Atlanta August 1994

"How Black Is Black World?" in Yardbird Reader (Volume 5) Ishmael Reed, editor. Berkeley: Yardbird Publishing Incorporated, 1976

"Interview with Author" November 1995

"Negro Theater Pimps Get Big Off Nationalism" in Raise Race Rays Raze. New York: Random House, 1971

"Statement" in The Journal of Black Poetry (Volume 1, Number 4, Spring 1967). Dingane (Joe Goncalves), editor. San Francisco: The Journal of Black Poetry, 1967

"The Wailer" in Vision Of A Liberated Future. Larry Neal. New York: Thunder's Mouth Press, 1989

Bell, Bernard W. "Contemporary Afro-American Poetry As Folk Art" in Black World (March 1973). Hoyt Fuller, editor. Chicago: Johnson Publications, 1973

Black Dialogue (Volume 1, Number 1) San Francisco:
Black Dialogue 1965 Volume 1, Number 3) San Francisco:
Black Dialogue 1965 (Volume IV, Number 1) New York:
Black Dialogue1969

Black Scholar (Volume 1, Numer 1, November 1969) San Francisco:
The Black World Foundation, 1969
Black Theatre/The Drama Review (Volume 12, Number 4 [T40]
Summer 1968) Ed Bullins, guest editor. New York: School of the Arts, New York University, 1968

Blumenthal, Bob. liner notes for Mwandishi Herbie Hancock, The Complete Warner Bros. Recordings. Warner Bros. Records, 1994 Bourne, St. Clair. Interview by Clyde Taylor in Artist and Influence, 1996 Volume XV. James V. Hatch, Leo Hamalian, and Judy Blum, editors. New York: Hatch-Billops Collection, Inc., 1996

Brown, James. James Brown, The Godfather of Soul, an autobiography by James Brown with Bruce Tucker. New York: Thunder's Mouth Press, 1986 (revised 1990)

Byrd, Donald. Black Choreographers MOVING. Compiled by Halifu Osumare and edited by Julinda Lewis-Ferguson. Berkeley: Expansion Arts Services, 1991

Carmichael, Stokley. "We Are Going To Use The Term Black Power and We Are Going To Define It Because Black Power Speaks To Us" in Black Nationalism in America. John H. Bracey, Jr., August Meier, and Elliott Rudwick, editors. Indianapolis: The Bobbs-Merrill Company, Inc., 1970

Chrisman, Robert. Interview with author. November 1995.

Combahee River Collective. "The Combahee River Collective Statement" in Home Girls, A Black Feminist Anthology edited by Barbara Smith. New York: Kitchen Table Women of Color Press, 1983

Coleman, Wanda. "The Cruel Papa Really Put Me Down-Blues" in Black Theater (Issue #6) Ed Bullins, editor. New York: The New Lafayette Theatre Publications 1972.

Dent, Tom. "Free Southern Theater: An Evaluation" in Freedomways (Volume 6, Number 1) John Henrik Clarke, associate editor. New York: Freedomways Associates, Inc., 1966

"Preface" in Callaloo #1 (Volume 1, Number 1) Charles Rowell, acting editor. Baton Rouge, Louisiana: Charles H. Rowell 1976

Southern Journey. New York: William Morrow and Company 1996

Dingane (Joe Goncalves). "A Review of Dynamite Voices" in The Journal Of Black Poetry (Volume 1, Number 17, Summer 1973). Dingane (Joe Goncalves), editor. San Francisco: Journal Of Black Poetry, 1973 Interview with author. November 1995.

"Letters." (Copies of correspondence.) Various dates.

Dixon, Brenda. Black Choreographers MOVING. Compiled by Halifu Osumare and edited by Julinda Lewis-Ferguson. Berkeley: Expansion Arts Services, 1991

Fowler, Carolyn. Black Arts and Black Aesthetics, A Bibliography. Privately printed, 1976 (Available from Carolyn Fowler, 513 Spinnaker Lane, Fort Collins, CO 80525)

"untitled" in Negro Digest (November 1969). Hoyt Fuller, editor. Chicago: Johnson Publications, 1969

Fuller, Hoyt. "BBB Interviews" in Black BOOKS BULLETIN (Vol. 1/No. 1, Fall 1971). Haki Madhubuti, editor. Chicago: The Institute of Positive Education, 1971

"Foreword to NOMMO" in NOMMO A Literary Legacy of Black Chicago. Carole A. Parks, editor. Chicago: OBAhouse, 1987

"The New Black Literature: Protest Or Affirmation" in The Black Aesthetic. Addison Gayle, Jr., editor. Garden City, New York: Anchor Books, 1971

"Towards a Black Aesthetic" in Within The Circle, An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Angelyn Mitchell, editor. Durham: Duke University Press, 1994

Gaither, Edmund Barry. "Heritage Reclaimed: An Historical Perspective And Chronology" in Black Art: Ancestral Legacy, The African Impulse In African-American Art. Alvia J. Wardlaw, Chief Curator. Dallas: Dallas Museum of Art, 1989

Gayle, Jr., Addison. The Black Aesthetic. Addison Gayle, Jr., editor. Garden City, New York: Anchor Books, 1971

"Blueprint For Black Criticism" in First World (Volume 1, Number 1, January/February 1977). Hoyt Fuller, executive editor. Atlanta: First World Foundation, 1977

"Cultural Nationalism The Black Novelist In America" in Black BOOKS BULLETIN (Vol. 1/No. 1, Fall 1971). Haki Madhubuti, editor. Chicago: The Institute of Positive Education, 1971

"Reclaiming the Southern Experience: The Black Aesthetic 10 Years Later" in Black World (September1974). Hoyt Fuller, editor. Chicago: Johnson Publications, 1974

Harper, Michael S. Dear John, Dear Coltrane. Urbana: University of Illionis Press, 1985 (original copyright 1970)

Henderson, Stephen E. and Cook, Mercer. The Militant Black Writer in Africa and the United States. Madison: University of Wisconsin Press, 1969

Henderson, Stephen E. "Saturation: Progress Report On A Theory Of Black Poetry" in Black World (June 1975). Hoyt Fuller, editor. Chicago: Johnson Publications, 1975

Understanding The New Black Poetry, Black Speech and Black Music as Poetic References. New York: Williams Morrow, 1973

Himes, Chester. "Preface" in Yardbird Reader (Volume 1, Number 1) Berkeley: Yardbird Publishing Cooperative, 1972

Jackmon, Marvin. "The Black revolutionary poet" in The Journal of Black Poetry (Volume 1, Number 4, Spring 1967). Dingane (Joe Goncalves), editor. San Francisco: The Journal of Black Poetry, 1967

Jarrell, Wadsworth A. "Heading For A Black Aesthetic" in Art Papers (November/December 1985). Xenia Z. Zed, editor. Atlanta: Arts Papers 1985

Johnson, Abby Arthur and Johnson, Ronald Maberry. Propaganda & Aesthetics, The Literary Politics of African-American Magazines in the Twentieth Century. Amherst: University of Massachusetts Press, 1979

Jones, LeRoi. (see also Amiri Baraka) "Statement" in The Journal of Black Poetry (Volume 1, Number 4, Spring 1967). Dingane (Joe Goncalves), editor. San Francisco: The Journal of Black Poetry, 1967

Jordan, Norman. "News From Cleveland" in Black Art Black Culture. Dingane (Joe Goncalves), editor. San Francisco: The Journal Of Black Poetry Press, 1972

Karenga, Maulana. "Black Art: Mute Matter Given Force and Function" in New Black Voices. Abraham Chapman, editor. New York: New American Library, 1972

"Beyond Connections: Liberation In Love And Struggle" in NKOMBO, Kuumba na Kazi and Kalamu ya Salaam, co-editors. New Orleans: Ahidiana, 1977

"Reaffirmation And Change" in NKOMBO, Kalamu ya Salaam, editor. New Orleans: Ahidiana, 1975

King, Woodie, Jr. Black Theatre Present Condition. New York: Woodie King, Jr. and National Black Theatre Touring Circuit, 1981

Kofsky, Frank. Black Nationalism and the Revolution in Music. New York: Pathfinder Press, 1970 "Lafayette Theatre Reaction To Bombers" in Black Theater (Issue #4) Ed Bullins, editor. New York: The New Lafayette Theatre Publications 1969.

Lee, Don L. (see also Haki Madhututi) "Black Writing: A Subjective View" in Black BOOKS BULLETIN (Vol. 3/No. 2, Fall 1975). Haki Madhubuti, editor. Chicago: The Institute of Positive Education, 1975

"Don L. Lee Interviews Stokely Carmichael" in The Journal of Black Poetry (Volume 1, Number 14) Don L. Lee, guest editor. San Francisco: The Journal of Black Poetry, 1971

Don't Cry, Scream. Chicago: Third World Press, 1969

"Why This Issue" in The Journal of Black Poetry (Volume 1, Number 14) Don L. Lee, guest editor. San Francisco: The Journal of Black Poetry, 1971

Lincoln, Abbey. "The Negro Woman in American Literature" in Freedomways (Volume 6, Number 1) John Henrik Clarke, associate editor. New York: Freedomways Associates, Inc., 1966

Long, Richard A. "A Note on the Black Aesthetic" in Art Papers (November/December 1985). Xenia Z. Zed, editor. Atlanta: Arts Papers, 1985

The Black Tradition In American Dance. New York: Rizzoli, 1989

Madhubuti, Haki R. (see also Don L. Lee) From Plan To Planet. Chicago: Third World Press, 1973

Major, Clarence. "a Black criteria" in The Journal of Black Poetry (Volume 1, Number 4, Spring 1967). Dingane (Joe Goncalves), editor. San Francisco: The Journal of Black Poetry, 1967

Marsh, Dave. "Epilogue: Prisoner of Race" in James Brown, The Godfather of Soul, an autobiography by James Brown with Bruce Tucker. New York: Thunder's Mouth Press, 1986 (revised 1990)

Masilela, Ntongela. "The Los Angeles School of Black Filmmakers" in Black American Cinema. Manthia Diawara, editor. New York: Routledge, 1993

Moore, William. Black Choreographers MOVING. Compiled by Halifu Osumare and edited by Julinda Lewis-Ferguson. Berkeley: Expansion Arts Services, 1991

Neal, Larry. "The Black Arts Movement" in Black Theatre/The Drama Review (Volume 12, Number 4 [T40] Summer 1968) Ed Bullins, guest editor. New York: School of the Arts, New York University, 1968

"New Space / The Growth of Black Consciousness in the Sixties" in The Black 70's. Floyd B. Barbour, editor. Boston: Porter Sargent Publisher, 1970

"Towards A Relevant Black Theatre" in Black Theater (Issue #4) New York: The New Lafayette Theatre Publications 1969

Visions of a Liberated Future, Black Arts Movement Writings. New York: Thunder's Mouth Press, 1989

Newton, Michael. Bitter Grain: Huey Newton and the Black Panter Panther Party. Los Angeles: Holloway House Publishing, 1980 October Revolution. "Press Release, Evidence 22166" Conshohocken, PA: Evidence Records, 1996

O'Neal, John. "The Motion In The Ocean: Some Political Dimensions of the Free Southern Theatre" in Black Theatre/The Drama Review (Volume 12, Number 4 [T40] Summer 1968) Ed Bullins, guest editor. New York: School of the Arts, New York University, 1968

Panel (Baraka, MacBeth, Mkalimoto, Neal, Toure, Marvin X). "Lafayette Theatre Reaction To Bombers" in Black Theater (Issue #4) New York: The New Lafayette Theatre Publications 1969

Porter, Tom. "The Mohawk Nation" in Lapis (Summer 1995) Ralph White, editor. New York: New York Open Center, 1995

Primus, Marc. "The Afro-American Folkloric Troupe" in Freedomways (Vol. 6, No. 1, Winter, 1966) New York: Freedomways Associates, Inc 1966 

Interview with author. January 1997.

Randall, Dudley. "Broadside Press: A Personal Chronicle" in The Black 70's. Floyd B. Barbour, editor. Boston: Porter Sargent Publisher, 1970

and Burroughs, Magaret, editors. For Malcolm X. Detroit: Broadside Press, 1969 Redmond, Eugene B. Drumvoices. Garden City: Anchor Press/Doubleday, 1976

Reed, Ishmael. "Integration Or Cultural Exchange?" in Yardbird Reader (Volume 5) Ishmael Reed, editor. Berkeley: Yardbird Publishing Incorporated, 1976

Interview with author. November 1995.

"Introduction-I" in Yardbird Reader (Volume 1, Number 1) Berkeley: Yardbird Publishing Cooperative, 1972

Rhines, Jesse Algeron. Black Film/White Money. New Brunswick: Rutgers University Press, 1996

Richards, Sandra L. Black Choreographers MOVING. Compiled by Halifu Osumare and edited by Julinda Lewis-Ferguson. Berkeley: Expansion Arts Services, 1991

Rowell, Charles H. "Diamonds In a Sawdust Pile" in Callaloo #1 (Volume 1, Number 1) Charles Rowell, acting editor. Baton Rouge, Louisiana: Charles H. Rowell 1976

Sanders, Lelie Catherine. The Development of Black Theater in America -- From Shadows To Selves. Baton Rouge: Louisiana State University Press, 1988

Scott-Heron, Gil. The Mind of Gil Scott-Heron. (Recording with 24 page booklet of poetry.) New York: Arista Records, 1978

Shange, Ntozake. "Artists' dialogue" in The Fact of Blackness, Frantz Fanon and Visual Representation edited by Alan Read. Seattle: Bay Press, 1996

See No Evil. San Francisco: Momo's Press, 1984

Smith, David L. "The Black Arts Movement and Its Critics" in American Literary History (Volume 3, Number 1, Spring 1991) ????????? editor. ??????: ?????????? 1991

Soulbook (Vol. 1, Num. 1) Berkeley: Afroamerican Research Institution, 1964

Spriggs, Ed. "On The 'Boycott' " in Black Art Black Culture. San Francisco: Journal of Black Poetry Press, 1972

Taylor, Clyde. "The L.A. Rebellion: A Turning Point in Black Cinema" a program narrative, #26 in The New American Filmmakers Series, Exhibitions of Independent Film and Video. New York: Whitney Museum of American Art, 1986

Toure, Askia M. "Juju" in The Journal of Black Poetry (Volume 1, Number 7) Joe Goncalves, editor. San Francisco: The Journal of Black Poetry, 1968

Interview with author. November 1995.

Turner, Darwin. "Frank Yerby: Golden Debunker" in Black BOOKS BULLETIN (Vol. 1/No. 3, Fall 1972). Haki Madhubuti, editor. Chicago: The Institute of Positive Education, 1972

Weinstein, Norman C. A Night In Tunisia, Imaginings of Africa in Jazz. New York: Limelight Editions, Books of the Performing Arts, 1993

X, Malcolm. "The Organization of Afro-American Unity: For Human Rights and Dignity" in Black Nationalism in America. John H. Bracey, Jr., August Meier, and Elliott Rudwick, editors. Indianapolis: The Bobbs-Merrill Company, Inc., 1970

Zollar, Jawole Willa Jo. Black Choreographers MOVING. Compiled by Halifu Osumare and edited by Julinda Lewis-Ferguson. Berkeley: Expansion Arts Services, 1991

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Historical Background of the Black Arts Movement (BAM) - Part I

Historical Background of the Black Arts Movement (BAM) - Part II


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